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Excerpts from my journal during a 3 week sojourn in Detroit Michigan, late winter 2014, searching for the seeds of the New Miracle of Detroit

(I am planning another 3 week trip to Detroit in November. Please stay tuned.)

PHOTOS

April 5, 2014, Saturday, Detroit, Karen’s home, dining room table

Cool, mid 30s, overcast, mild westerly wind.

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Another big day for photography as I wind down this 3 week spring Detroit sojourn [April 4, 2014]. 4 themes actually [more later on these]. The 1st was the scheduled visit to Alan Kaniarz’s fundamentals of design class at the College for Creative Studies (CCS), a school I’ve been drawn to since visiting Detroit in 2010. I’ve pictured myself teaching photography there. He’d invited me to visit, I’d sought permission from the administration, and finally, because the big administrator never responded to the small administrator in the form of Marcus, Marcus said OK.

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Students were building a piece of wood and metal that seemed to have no purpose other than providing experience fitting pieces together, drilling holes, creating threads, etc. Of course I may have missed the larger context. Women alongside men, blacks alongside whites, tall with short, fat with lean, etc. A good mixture. The equipment was superb, all a woodworker might desire. I thought again of my son-in-law, Phil, and of myself when younger when I had plans to create my own basement shop. And further back, to high school when I took all the shop courses available including metal, wood, electric, and engineering drawing, not so much to prepare for later engineering studies which I followed but because I loved tools and making things.

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How much of my background will show in the photos? Big-small question.

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Alan has excellent rapport with students, joking with them. But he seemed a little lax about distractions. I noticed 2, maybe 3, women peering into their mobile devices while he lectured about lighting. One quickly hid her screen when I approached and pointed my camera at her. Some texted, some looked at female models, I doubt they were doing further research on topics of the day. Had I been Alan I might have required them to stow their phones, as I did with my students at the Jenin Freedom Theater. Which they appreciated.

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The lecture about lighting was to prepare them for their next assignment: design a lighting fixture. So he demonstrated all the sources of light from a facsimile of the first Edison bulb with carbon filament to a string of LEDs controlled remotely so it could change colors and flash. Here revealed, in the span of some 150 years, an array of lighting.

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I thought he might ask me to launch the topic of photographic lighting, magnesium powder to strobe, but he didn’t. How well would I have done this without preparation? (Maybe this was my dream last night?)

That finished, it was lunchtime and I’d not checked my morning’s email. So after exploring the photographic section, meeting no one, seeing students at work, observing the well equipped but perhaps not so often used film darkrooms, and the fine photos made by students, thinking of myself here teaching, I took lunch in the cafeteria (fish sandwich and fries, followed by a large chocolate chip cookie and Americano coffee which I learned is not standard American style coffee but espresso with hot water, a potent concoction which I will try again) and dove into the swift internet stream of CCS.

Rapid does not begin to describe the speed of this free, open Internet connection—67 mb/s download and 64 upload. The speed pushed my Internet speed tester into the red zone. Is CCS to be my new office? Maybe next visit I’ll upgrade my housing to live in Midtown around the corner from CCS.

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TO BE CONTINUED

LINKS

College for Creative Studies Facebook

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Excerpts from my journal during a 3 week sojourn in Detroit Michigan, late winter 2014, searching for the seeds of the New Miracle of Detroit

PHOTOS

April 4, 2014, Friday, Detroit

Cool, upper 30s, overcast, foggy, mild easterly wind—rain forecast, again.

After a bit of imagined bad news out of the way [a waking nightmarish fantasy about lost love] I can get to the better news, how life is in Detroit for me photographically. Lifting me out of the 4 day no photo doldrums I’d been in, yesterday afternoon [April 3, 2014], thanks to Mike who laid out numerous possibilities for examples of Detroit Up for me to photograph, I met and extensively photographed and interviewed Alan Kaniarz in his shop in the Russell Industrial Center on Detroit’s near East Side.

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Alan Kaniarz

60 years old, with a long white mustache and matching goatee, tall and thin, wearing a dark leather long-billed cap and a paisley shirt, he toured me thru his shop. (I thought my son-in-law Phil would admire such a shop and pursuit and must remember to tell him about Alan.) Alan is multi-talented: wood, metal, glass. He invents, constructs, and repairs wood furniture and cabinetry. He collects and repairs antique lamps. He renews old picture frames and other wooden antiques. He commented that being so multifaceted helps him over the tough economic times he, Detroit, and the nation have recently faced. He also teaches at the College for Creative Studies and invited me to photograph him later if the administration gives us permission.

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I told him I was searching for the seeds of a new Detroit miracle and asked, are you one? Without hesitation, he answered, yes. And explained that he employs students from the college, and has recently purchased a derelict building that he will rehab into relatively reasonably priced apartments for students. He is part of an association that includes Mike, possibly fosters clever social entrepreneurship, and goes by some initials that I did not record.

After my long session with Alan, at least 90 minutes, I explored the old factory complex, designed in 1915 by Albert Kahn. He’d explained that its first use was as a carriage-making factory, the entire complex, then with the rise of the automobile, it converted to making car bodies, not Fisher, but something equivalent. After other iterations, it now houses more than 140 tenants, mostly artists and craftspeople. I discovered 2 cars cut in half and affixed to walls. I discovered faces made of scrap metal. I discovered a set of words that resonated with me. (I hope to use them somehow, maybe transcribed as a footer or added to a display.) I discovered long hallways, mostly empty. I did not penetrate any studios so what’s behind the doors and walls remains a mystery to me.

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The art of others in the building.

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Alan gave me more leads including the CEO of Quicken who apparently invests in a socially wise manner. And Whole Foods, committing to the city, a true outpost in the realm of food. (For lunch yesterday from Whole Foods I gobbled down a chocolate chip scone, with milk, heated. I—and I presume many others—cannot survive without my daily consumption of spiffy food. Good bread in particular. And chocolate chip anything. Also peanut butter without sugar, chunky style.)

As usual finding the place presented problems. But the roaming brought me into new zones where I might return to pursue my sub theme of industrial landscape.

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Reminding me that I temporarily live in Detroit in a relatively tough neighborhood, out my window yesterday early evening I noticed a heavy woman walking on the opposite sidewalk, apparently tracked by someone in a car. The driver pulled into a driveway to block her, left the car, and walked hurriedly to her. Is this a case of domestic violence unfolding before my eyes? I mused. He confronted her, held her. Because of the distance I couldn’t quite make out the tone. I picked up my phone and thought I might immediately phone 911 to report the incident as it unfolded—let the cops handle the situation. Then a succeeding and perhaps much wiser thought occurred: monitor the situation, outside where he can see me, with phone in hand. Deliberately banging my door, I stood conspicuously on the porch, phone in hand, and observed. He seemed to notice me. From confrontation the mood seemed to change to reconciliation. Another woman cracked open the rear door of the car and shouted something to the couple. He held her, this time maybe lovingly, and escorted her back to the car. No violence that I detected. And they drove off. All three were African-Americans.

What was the true story? Would he harm her later? Should I have intervened more forcibly, either by phoning the cops or walking into the scene? How much risk would that entail? To me and to the woman? Should I have brought my camera, as another form of intervention, not necessarily to use it, but to be ready to use it?

TO BE CONTINUED

LINKS

Alan’s workshop and business, A.K. Services

Russell Industrial Center

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 Ban al Ghussain, Islam Madhoun, and their son, from their Facebook page

After the Israeli assault on Gaza, yet another, probably the most damaging, with Palestinian deaths topping 2,100 and injuries 11,200, most of them civilian, more than 106,000 displaced in UN shelters and with host families, one half million children unable to begin the new school year, restricted electricity and severely threatened water supplies, and with 71 Israeli deaths, 66 of them soldiers, and Israel’s astronomical financial and political costs, after a cease-fire, I wrote some of my friends in or from Gaza. Knowing electricity is often limited to 3 hours daily, I’m even more appreciative for their replies (and for those from my Israeli friends, living in Sderot and Netif Ha’asara within one mile of Gaza and under attack, and another in Jaffa, threatened while protesting the violence):

Thank you very much for your loving wishes and mail …  love you so much. I really hope to see you soon (Ban al Ghussain)

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Thank you my friend, miss you. I hope everything going to fine after ceasefire, See u in Gaza closely (Islam Madhoun)

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I hate the fact that we reunite only after a devastation hits Gaza. However, it’s always nice to hear from you. You are missing a lot in here my friend. Thus, you should come over as soon as you can. Meanwhile, Keep safe. (Hisham Mhanna)

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Hisham with his father, 2012

Hi dude! I hope u r ok. we hope it will lead to a permanent solution. u are mostly welcome…..just tell me when u come to celebrate your coming. stay safe. (Muntaser Abu Kmeil)

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From his Facebook page
 
Mr. Skip, Thanks a lot.. We trust Allah, everything will be okay in shaa Allah We will heal our pain . Thanks for sending me (Suhair Hajjaj)
 
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Suhair’s secondary school in Shuheya
 
Thank you Skip for your lovely and compassionate support of Palestine. Actually, you are one of the people who made the Palestinian justice work more lively in New England Area and beyond. I hope our paths will cross again soon. (Ayman Nijim)
 
Ayman facebook
 
Here are two other articles offering perspectives, the first from Rana Alshami in Gaza:
 
Whatever was going on in Gaza for the past 51 days has finally ended. People can finally breathe, sleep, live! My family and I lived and experienced the worst of times, but we are still alive. We survived….
 
 
And from Alex Cane, a form of reality check:
 
The cease-fire that ended seven weeks of hell in Gaza is only two days old. But the countdown to the next round began as soon as the ink dried on the agreement between Israel and the Palestinian armed factions….
 
 
This is what I earlier wrote Gazan friends:
 
with you perhaps i celebrate the extended cease-fire. i’m sure you’re relieved that you can now return to a relatively safe location and situation. “relatively” is a tricky word. will the cease-fire lead to the end of the siege, reconstruction of gaza, and freedom and a just peace after so many years of suffering? i pray for all this and for you personally.
 
my most recent blog outlines what might happen, a fantasy which could become a world-shaking reality.
I hope to see you again sometime next year, inshallah.
 
Your enduring friend,

Gaza Resurrected

Now, I can hear the bombings, shelling and air strikes every where in Gaza. Where is the situation is going?

—Dr. Mustafa El Hawi, Gaza City, August 19, 2014

Recently at a large gathering of New England Quakers, to a small group, a woman outlined her visionary response to the recurring violence in Gaza and Israel. Essentially: a group of Israeli Jews, spontaneously, recognize the desperate needs of their Gazan neighbors—and their government’s role in causing those needs. Addressing only the merciful side of the problem, not yet the justice side, they gather building materials, food, water, medicines, and other needed supplies and personnel intending to bring it to Gaza personally, an aid mission, not blessed by their government, nor by the majority of their fellow Israelis who overwhelming support the assault on Gaza.

Of course their government will not allow this citizen group to enter the Gaza Strip so they bring ladders, crowbars, sledgehammers, and a large number of determined people to the wall which imprisons their neighbors. They storm the wall and enter Gaza. This act of chutzpah gains much favorable international publicity, a new form of news from Israel and Gaza. Others from around the world spontaneously organize their own aid missions and successfully land on Gaza’s beaches, push back Egyptian security at the southern border, flood thru the breach in the Israeli wall, and reconstruct the Strip.

The wall between Gaza and Israel from Netiv Ha'asara

Gaza wall, click image for an enlargement

Far fetched? Speculative? A fantasy? Another good idea but is it possible? One small hint of reality occurred several weeks ago when Gershon Baskin, a Jewish Israeli-American activist, discovered a huge amount of potatoes in Israel that for various reasons might need to be abandoned. He organized a crowd-sourced fundraising appeal and hopes to generate some $730,000 to purchase and transport the potatoes to Gaza.

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According to the Jerusalem Post he launched “an online Indiegogo campaign aiming to raise the $730,000 necessary to purchase a 5,000-ton surplus of potatoes from the Israel Vegetable Growers Association. Due to union bylaws guaranteeing farmers a fair price for their labor, the association cannot simply donate the potatoes.” And Europe recently experienced a surfeit of potatoes so it is not a market. As of today, he’s raised a little more than one tenth his goal, $78,000, enough to buy and ship some of the surplus potatoes.

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 Gershon Baskin

(UPDATE:  After asking the Israeli vegetable growers association to donate some of the potato surplus to Gaza they responded positively and agreed to reduce the price we will pay by 20%!!! That is a sizable amount of money and will enable us to increase the amount of potatoes we will send to Gaza’s neediest people! Spread the word!—Gershon Baskin)

Another precedent is post-Hurricane Katrina New Orleans when groups such as the Common Ground Collective and later during Hurricane Isaac elements of the Occupy movement rallied to help reconstruct the city and fight for a fair disposition of resources, an exemplary combination of mercy and justice. Detroit’s problems might be at least partially alleviated by a similar grass-roots movement from outside the city, which is already occurring on a small-scale. The Detroit Water Project locates donors from outside the city to help pay Detroiters’ water bills. As of July 27 it has found 4,000 donors. Inside the city, organizations like the Boggs Center organize residents and visitors in social justice movements.

What a mind shift this could create in the international community. anti-Semitism is rising in Europe, the United States may follow. If such a vision were to be implemented, organized initially by Israeli Jews, the nation of Israel could be viewed differently: from criminal state, becoming a pariah, more and more hated internationally, to a benefactor, a rescuer. As many people rescuing Jews did during the holocaust.

I now extrapolate from the initial vision. Phase two would occur when others, more strategically oriented, realize this is only a partial solution. What prevents Israel from attacking again and maintaining the killing siege, or Gazan militants from firing missiles into Israeli civilian districts and building tunnels into Israel to attack the army and possibly civilians as well? This second phase could either organize appeals to the international court system and finally, finally, the case of Israel and Palestine comes to the International Court of Justice, while other elements of the case go to the International Criminal Court. Or, as in South Africa, organize a truth and reconciliation process, inviting elements from all parties to acknowledge suffering and admit complicity.

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In a Gaza hospital, photo by Skip Schiel

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Untreated sewage into the Mediterranean Sea, photo by Skip Schiel

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Generators to supply electricity when municipal services fail

Once this second adjudication phase has begun, the third phase would be enacted: reparations from the responsible parties. After another Israeli operation, Defensive Shield, ravaged much of the West Bank in 2002, international donors like USAID paid for the repair and reconstruction. Why not the afflicting parties? Why not Israel itself, required to pay for the damage it brought? And perhaps a similar reparation program to compensate those injured, killed, and otherwise destroyed by criminal acts of Palestinian parties? Justice served, finally. Is it possible? A vision for a program?

(Thanks to Liberty G for the initial vision.)

I have a crazy fantasy.

Peace will come and filmmakers will produce movies about this war, too.

One scene: Israeli soldiers discover a tunnel and enter it in order to clear it of enemies. At the same time, Hamas fighters enter the tunnel at the other end, on their way to attack a kibbutz.

The fighters meet in the middle, beneath the fence. They see each other in the dim light. And then, instead of shooting, they shake hands.

A mad idea? Indeed. Sorry.

—Uri Avnery

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It was a great feeling to arrive on that boat [one of the first freedom boats sailing to Gaza in 2008], a feeling of freedom that I had never experienced. It was the first time in my life that I had visited home without the humiliation of being questioned or interrogated by the Israelis, without being threatened, having my travel documents thrown in my face, and not knowing whether I would be able to get out or not. It is a sense of liberation I hope every Palestinian will experience one day. I am proud of being one of the first Palestinians from the Occupied Territories to enter Palestine without Israeli permission since 1967.

Musheir El-Farra, the only Palestinian from Gaza sailing on August 21, 2008

LINKS

“Meeting in a Tunnel,” by Uri Avnery

Norway and Egypt to host donor conference for Gaza

“Anti-Semitism flares in Europe amid Gaza war,” by Janelle Dumalaon, Jennifer Collins and Angela Waters,

Repression against grassroots hurricane relief lingers in New Orleans,” by Jake Olzen, November 9, 2012

Detroit Water Project

Detroit Allows Outsiders to Pay Past Due Water Bills,” by Douglas A. McIntyre, July 27, 2014

$200K expected to fill Detroit water bill fund,” by Darren A. Nichols, August 18, 2014

“Son of Death,” by Uri Avnery

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Gaza and the West Bank of Palestine and Israel

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2014-08-04BathYMGBigTop-The Big Top at Yearly Meeting Gathering in Bath. | Photo- Photo- Trish Carn.

Epilogue, Monday 4th August Photo- Fran Lane

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The scarf lining the route between Atomic Weapons Establishment Aldermaston and Burghfield | Photo: Photo: Luke Massey.

“Several hundred protesters [from Britain Yearly Meeting] were on hand Saturday, 9 August 2014, for the unfurling of an enormous pink scarf along the seven miles of road between the Atomic Weapons Establishment (AWE) sites at Aldermaston and Burghfield. The protest was intended to show the scale of opposition to Trident replacement in the UK.”

Quaker queries

A letter to my Quaker monthly meeting (and beyond), Friends Meeting at Cambridge, dear Friends,

At this summer’s New England Yearly Meeting sessions with its theme of witness, during the height of violence in Gaza and Israel, numerous Friends expressed deep concern to me personally (who many of you know has been directly connected with that region thru the American Friends Service Committee and other agencies), and in plenaries and interest groups. Yet—a huge yet—not a word that I heard from business meetings. No minutes of concern, no suggested responses, no debate, not even discussion. One possible reason for this silence is the fear of taking sides, or offending people, or diverting attention from proper business, or stepping outside the mandate of “spirituality,” or fostering division. And in our own monthly meeting, Cambridge, speaking out often counters similar resistance.

Martin Luther King Jr stated that silence is betrayal, or, alternately, silence is complicity.

British Friends during their yearly meeting, 2000 people strong, raised its voice. are they not a model for us?

Here’s how they began their bold statement:

Amid faltering ceasefires and talks, Quakers in Britain are calling for urgent action on Gaza. They urge the UK Government to recognise Palestine as a nation state; they call for a comprehensive arms embargo on all sides in the conflict and for an end to Israel’s blockade of Gaza and occupation of Palestine.

The calls for action come in a statement made by the decision making body of Quakers in Britain, the Yearly Meeting, attended by 2,000 Quakers in Bath.  As part of their commitment to peacemaking, Quakers continue to challenge anti-Semitism and Islamophobia.

  • The Yearly Meeting heard essential steps towards full and fair negotiations:
  • Palestine to be recognised as a nation state
  • An end to indiscriminate fire by all sides
  • A comprehensive arms embargo
  • An end to Israel’s occupation of Palestinian territory and blockade of Gaza
  • Freeing elected Palestinian leaders now held as political prisoners
  • The use of international law to hold all parties to account for their actions….

For the full statement.

And for general information from a reliable Quaker source: Quaker Palestine Israel Network, and Quakers with a Concern for Palestine and Israel.

And from the American Friends Service Committee.

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Friends Meeting at Cambridge meeting house

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Meeting for worship outside Textron Industries, manufacturer of war munitions like cluster bombs, held monthly for nearly 6 years by Friends Meeting at Cambridge

British Quakers [in 2012] call for end to use of force in Gaza

Hague court under western pressure not to open Gaza war crimes inquiry” by Julian Borger

Israel bars Amnesty, Human Rights Watch workers from Gaza” by Amira Hass

One Result of the Gaza Conflict: Iran and Hamas Are Back Together” by Kay Armin Serjoie

The conclusion of my attempt to explicate what I attempt to do photographically.

A BRIEF EARLY HISTORY

I began when my father gave me a camera, probably a cheap Kodak Brownie, at the age of 7.

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Frank Schiel, 1964 c, my father, photo by Skip Schiel

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Caldwell School playground, Chicago’s Southside, 1950 c.,
photo by Skip Schiel

I lost a good Kodak foldout camera at a train station in Michigan while waiting to return from Boy Scout camp when about 12 years old.

Kodak folding camera

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Pearl Schiel, 1954, my mother, photo by Skip Schiel

When I was in high school my father brought out his old high school chemistry notes and perhaps accidentally turned to the section on photographic chemistry. I was immediately entranced and about 5 years later while in college I built my first darkroom in the basement kitchen of the rooming house I shared with other men in Seattle, Washington. They were not happy with the odors.

I hitchhiked around the Midwest during college breaks in the early 1960s to make slide shows and show them to family and neighbors, most of whom fell asleep.

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Self portrait by Skip Schiel, 1960

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Iowa Farm, 1962, photo by Skip Schiel

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The Great Plains, 1982 c, believed by many to be too boring to photograph, photo by Skip Schiel

Partly because of the rotten reception to my slide shows I tried to burn most of my early slides in our basement fireplace, my mother stopped me. I have no idea where those slides are now and do not care.

At some point early in my life I learned that my grandfather Ben Schiel had long ago opened a photographic portrait studio in Dubuque, Iowa. It probably quickly failed as did most of his other enterprises.

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Ben Schiel in front of his Palace Photographic Studio, Dubuque, Iowa, 1910

I am reassured that I might be on a good path by the fact that the Schiel family consists of at least four generations of photographers—my grandfather Ben, my father Frank (a dedicated but talentless amateur), me, and my daughter Joey, full of talent. Who knows, perhaps the illustrious Austrian artist, Egon Schiele, is part of my family lineage. And what will become of my grandchildren, Rex, Cid, and Eleanor?

VALUES I TRY TO EMBODY AND PORTRAY

End suffering and foster enlightenment, traditional Buddhist values.

Do this with my camera, thru participation in struggles for environmental integrity and justice—Charles River, Boston Harbor, and Quabbin Reservoir in 1980s; American Indians begun in 1982; Bread and Puppet Theater, begun in the early 1980s and sporadically continuing; South Africa in 1990 and 1998; working with the Struggles Against Racism photographers’ collective in 1990s; Auschwitz to Hiroshima pilgrimage in 1995; Middle Passage Pilgrimage in 1998; and my 3 current projects, Israel-Palestine beginning in 2003, Detroit which began in 2010, and my new Twilight series, a departure from my politically based work: I explore light, that narrow slice of the 24 hour diurnal cycle known otherwise as the Magic Hour.

SOME EXAMPLES

I call myself a participatory, socially engaged photographer which means I participate in actions striving for justice and then photographically observe and interpret the actions about human rights. I also show conditions which lead to these actions and provide context.

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Skip Schiel in the Dheisheh refugee camp, Bethlehem, 2003, photo by Mark Daoud

I take some risks: I am willing to suffer for the truth. As W. Eugene Smith declared, “I have tried to let truth be my prejudice.”

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Demonstration outside Ofer prison for prisoners’ rights, West Bank, Palestine, 2012

If your photographs aren’t good enough, you’re not close enough.

—Robert Capa

My Israel-Palestine photo series is at times controversial. As when a few people at my Quaker meeting walked out of my first slide show, Facts on the Ground, but we’ve reconciled—or are reconciling.

An upcoming lecture of [Schiel's at the Cambridge Center for Adult Education] is entitled: The Hydropolitics of Israel and Palestine. What photography course would be complete without a little “evil Israelis are dehydrating the innocent Palestinians”-style propaganda? The lecture is overpriced at $2.

…Schiel has many fine photos as well as a gallery. You must understand what a sad joke this is. Foreigners visit, put themselves under the command of local Arab leaders and involve themselves in provoking and providing cover for those who provoke the Israeli soldiers — soldiers who are far more disciplined than to treat them as they probably deserve. 

solomonia.com, 2007

During my last slide show at Friends Meeting at Cambridge in 2012, Eyewitness Gaza, the pro-Israel organization, Stand with Us, and Kerry Hurwitz picketed outside and later tracked me to Chicago. Writing a letter about me to local Jewish leaders, they may have blocked a high school visit organized by the American Friends Service Committee in 2011. On that same tour, showing at a mosque, someone misread my slide show and angrily shut me down—he thought I was pro-Israel.

In 2011, Tom Jackson, with significant help from Adham Khalil in Gaza, made a film about Gaza and me, Eyewitness Gaza, how I work there and why. I feel it accurately portrays my work in that region and of that style, politically informed and intended. Later with much help from Maria Termini, I published a book of my photos with the same title, Eyewitness Gaza.

Eyewitness Gaza (the movie)

A three minute preview

A ten minute preview of Eyewitness Gaza (made early in the editing process)

The full movie, fifty minutes long

An interview with me by Vermonters for a Just Peace in Palestine

Eyewitness Gaza (the book)


Aside from the message or content, this is my method: experiment; draw from traditions represented by W. Eugene Smith, Dorothea Lange, Sabastio Selgado, Magnum photographers, and many others in my lineage; intend to surprise, entertain, and teach. Bathe the audience in beauty, a beauty that treads the thin line between horror and beauty. As Dostoevsky stated in The Idiot—Beauty will save the world.

… it has been publicly [implied] that I am anti-Semitic because of a cartoon I created expressing sad dismay at the plight and suffering of the Palestinians in the recent bombardment of Gaza [November 2012].

As a cartoonist I am not interested in defending the dominant, the powerful, the well-resourced and the well-armed because such groups are usually not in need of advocacy, moral support or sympathetic understanding; they have already organised sufficient publicity for themselves and prosecute their points of view with great efficiency.

The work of the artist is to express what is repressed or even to speak the unspoken grief of society. And the cartoonist’s task is not so much to be balanced as to give balance, particularly in situations of disproportionate power relationships such as we see in the Israeli-Palestinian conflict. It is a healthy tradition dating back to the court jester and beyond: to be the dissenting protesting voice that speaks when others cannot or will not.

—Michael Leunig, “Just a cartoonist with a moral duty to speak”.

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You might find it an interesting exercise to talk about your process as a photographer. Who are you as a person? What draws you to make an image? Who are your influences? One of the points of exhibiting work on the walls of the Friends Center (in Cambridge MA) is to get to know one another better. So we would like you to step back just a bit from photographs as message only. Think of it as a unique opportunity to become known in a way that would not be appropriate to one of your usual presentations. Also the exercise of self-reflection can be quite beneficial for most of us as we all tend to see the world fairly subjectively even when we think we are being very objective and that we are dedicated “truth-tellers.”

—George, one of the curators of the exhibit, Gaza & the West Bank, at Friends Meeting at Cambridge, January 2013

MY PHOTOGRAPHIC LINEAGE

Thanks to Pat Rabby and an African tradition she discovered: everyday honor the ancestors, contemporaries, and successors in one’s lineage. So, I honor W. Eugene Smith, Dorothea Lange, Margaret Bourke White, Minor White, Imogen Cunningham, Edward Weston, Julia Margaret Cameron, Sebastio Salgado, and Henri Cartier-Bresson as ancestors, thanking them for their examples and teaching; photographers I work with or know about as contemporaries, thanking them for covering topics I don’t have time or experience for; and my students and those who might view my photos and learn from them (positive as well as negative lessons) as successors. I pray to offer a vital if small contribution to my lineage. This way I do not have to be intimidated by the achievements of others or compete with peers. I remain grateful for all their contributions to the unending stream of good photography.

As long as I can earn enough to pay my taxes I’ll be happy. I’m not a professional photographer you know, I’m an amateur. “Amateur” is the French word for lover.

— Imogen Cunningham

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Alfred Lord Tennyson, photo by Julia Margaret Cameron

Dorothea Lange- Washington, Yakima Valley, near Wapato. One of Chris Adolf's younger children. Farm Security Administration Rehabilitation clients.

Yakima Valley Washington during the Great Depression, photo by Dorothea Lange

In this 1942 Dorothea Lange photograph from the newly published “Impounded,” a family in Hayward, Calif., awaits an evacuation bus.

From the book, Impounded, a family in Hayward, Calif awaits an evacuation bus to a Japanese American internment camp, 1942, photo by Dorothea Lange

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Dorothea Lange

Pick a theme and work it to exhaustion… the subject must be something you truly love or truly hate.

—Dorothea Lange

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Margaret Bourke White

Weston point lobos CROPPED

Point Lobos, 1939, photo by Edward Weston

Edward Weston, Charis Wilson-SM

Charis Wilson, photo by Edward Weston

Anything that excites me for any reason, I will photograph; not searching for unusual subject matter, but making the commonplace unusual.

—Edward Weston

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Photo by Henri Cartier-Bresson

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Henri Cartier-Bresson, photo by Jane Brown

To take a photograph is to align the head, the eye and the heart. It’s a way of life.

—Henri Cartier-Bresson

Refugee camp at Benako, Tanzania, 1994. © Sebastião Salgado

Refugee camp at Benako, Tanzania, 1994, photo by Sebastiao Salgado

SOME INFLUENCES

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Margaret Bourke-White’s photo of black South African gold miners, deep beneath Johannesburg, made in 1950. Inspired by this photograph I worked twice in South Africa in 1990 and 1998.

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Pete Seeger as pictured at Harvard by Jon Chace in 2000 c, with my photo made in 1996, Pete’s banjo quote: This machine surrounds hate and forces it to surrender, after Woody’s This machine kills fascists. Seeger combined art and activism in a powerful, emulatable manner.

US navy war photos

My first photo book, US Navy War Photographs, compiled by Captain Edward Steichen, USNR, published around 1947, that I bought in a drug store on Chicago’s South Side around 1951

Coffee for Eniwetok Marine Survivors

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From US Navy War Photographs

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Photographer’s Mate-3,2,1, Chief, published 1961-1964, I studied the entire series assiduously, as if myself preparing to be Chief Photographer’s Mate

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An exhibit of W. Eugene Smith’s photos of WW2 that I saw in Kyoto Japan in 1995, wondering,
why would a conquered nation exhibit photos showing its conquest and suffering?

Woolman booklet

John Woolman, the Quaker luminary. With David Morse, I made a booklet which includes many of my photos related to the booklet’s topic, 2000. (Click on the image for a copy.)

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Devil’s Slide by Minor White, with whom I informally studied when he taught at MIT. With others we co-founded a school of photography at Project Inc. in Cambridge Massachusetts around 1970.

MLK_mosaic_poster-gabe greenbergMartin Luther King Jr, as shown pensively in a mosaic photo by Gabe Greenberg

…During a recent march in Nabi Saleh village in Palestine, children carried signs that quoted Dr. King. One sign read: “Injustice anywhere is a threat to justice everywhere”. They held up it up as they marched to get water for their village, only to be rebuffed by tear gas, rubber bullets, and at least one live round. Yet they stood holding another one of King’s admonishments: “If a man has not found something he is willing to die for, then he is not fit to live.”…

—Spare Change News editorial, January 11-24, 2013

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Okinawa, Japan, World War 2, photo by W. Eugene Smith

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From the book, Minimata, about a small Japanese fishing village poisoned by mercury, photo by W. Eugene Smith

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From the ground-breaking, world-traveling photography exhibition, The Family of Man, the photo The Way to Paradise Garden by W. Eugene Smith, the final photograph in the series. I read this book when it was published in 1955, in my mind marking a division between hope for a sane world and the later belief that humans are doomed—hopelessness as conveyed by much of subsequent photojournalism.

In 2005 I summarized much of my photographic life in a keynote presentation I made at New England Yearly Meeting sessions (Quaker), “And you will be carried where you do not wish to go, a photographic witness.” (in 8 parts, February 2010)

Very truly, I tell you, when you were younger, you used to gird your loins and go wherever you wished. But when you grow old, you will stretch out your arms, and someone else will gird you and carry you where you do not wish to go. (He said this to indicate the kind of death by which he [Peter] would glorify God.) After this he said to him, “Follow me.”

—John 21: 18

I ponder how my photography is both mirror and window.

TO BE CONTINUED

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